Breath of

As part of their religious studies curriculum our oldest will be visiting the Bharatiya Temple in Troy for an upcoming field trip. This has brought on many fond memories of my time teaching yoga at the temple and the time of my life when I aspired toward Hinduism. This is a short documentation of those days that I’m putting together to share with my kids as they move through their own studies.

Yoga has always been a part of my experience. I would like to think that aspects of yoga are inherent within me, within all of us, but it is hard to look at the state of the world and talk such foolishness. Like many my age, I would watch geriatric yoga on early morning Public TV in the 70s. I would try some of the poses but what hooked my undiagnosed ADHD/OCD cocktail of a mind was the breathing. Eventually I applied what I overheard waiting for cartoons to parts of my life.

I began to use breath as a survival technique when the domestic violence in my house was too much too bear. I quickly isolated the dissociative benefits of yoga and was forced to perfect them through trauma. I learned to block the violence out by focusing on my breath. It was truly a lifesaving technique/strategy and one of the sparks that led me to respect and eventually pursue faiths and practices uncommon in my families world.

I was raised in a home whose conflicts were more that physical. My mother’s side of the family were in the throws of conversion to born again evangelical christianity that was on the rise in what would become Regan’s America. My father’s side hell bent on economic success and capitalism, the more exploitive and profitable the better. Unable to identify with either side I developed an analysis and eventually strategies of resistance that included anything labeled taboo in the dominant household systems.

There is a great deal of time and lived experience between these initial connections to the breath in my youth and my decision to kneel before another man, a round and brown skinned man, and sincerely adore his feet.  It should also be noted that my experience with yoga during this time was severed from Hinduism entirely. Other than the then radical acceptance of a connection between body and mind, this western yoga was neutered.

I consider that my early onset skills with dissociation, while necessary to my survival also served to disconnect me from not only the reality of the situation, but from any analysis. While providing an out for me, it did not absolve my mind from taking it all in and needing to work it all out. Unfortunately, I did so through my own failed relationships.

Becoming a devotee
Pilgrimage to Mysore
Leaving to community

Bandcamp Friday – Lost Planet

Eden Bloom – Lost Planet I don’t know where I’m going I can’t remember where I’ve been I landed here on this planet And I’ve just been trying to fit in I sit with every sunset Chart the stars and draw the maps Light the fires on nights I think are special I keep on calling… And I wake with every sunrise Try to put it together best I can I do it for the people I’ve fallen in with here It was lonely so I’ve taken up with them. And I don’t know where we’re going Hate and greed may bring it to an end. My soul was brought down on this lost planet. Now our children carry the star with them. So I wake with every sunrise Try to listen to the spirits, the people and the land. I light the fires on the nights I think are special. While we spin I keep on calling…

Symbols and Spells Fall 2022

Welcome to the first full edition of Symbols and Spells. This has been a long time coming and now that it is here I am not sure what to say. I should start at the beginning I suppose. This year I changed my name to Eden Bloom. There are numerous reason for the change but here I’ll highlight the positive. What’s in a name.

Our family is well. We continue to work (slowly) on the house and the half acre of land that we are attempting to keep up. The biggest news is our new roof. Now that we are no longer dealing with water damage we can begin restoration of the “other” side of our house. We are also actively seeking investors to support this work and the creation of a space that we can share with our community.

I’ve been playing guitar quite regularly, almost every day. While I managed to eek out Lost Planet earlier in the year, I’ve been challenged to find my way to writing new material. I’ve started working on a project I’m calling Golden Age, which is basically a covers project. I’ve been posting them frequently to YouTube.

Before Stranger Things brought Kate Bush back into the charts I started working on a cover of her seminal nuclear protest track Breathing. Breaking from the simple live recordings I’ve been making in the dining room I attempted to multitrack this one. I also began working with lyrics that reflected our current struggle for clean air here in Detroit. If it were vinyl I’d release Breathing Stellantis as a b-side.

Earlier this year I self-published Eschaton Life. Supporters copies are still available and you can download a digital version.

In Respect and Gratitude,

Eden Bloom

A Reintroduction

Welcome to Eschaton Life. While the meaning of the name may be available to some, I will always express that this is not an endorsement of any fascistic or dogmatic movement, but rather an expression of creative resistance to systems of ‘control’ operating in what many perceive as the end times. In short, living in or through the eschaton.

Eschaton Life is an  attempt to catalog Eden Bloom’s work and archives. On the Spring Equinox of 2021 my family and I began the process of changing my and our name. By default, I’ve lived with my father’s name for 50 years. While I have always dreamed about the change I’ve never been stable enough to make it happen.  Eden, rather than biblical, stems from my engagement with the Temple of Psychic Youth in the 80s and 90s and Bloom was the moniker used to signify my spiritual/creative efforts since that time. 

My internal reasoning for the existence of Eschaton Life is to document my ‘stuff’ for my family in a way that  make sense. My experiences with what I’ll call here ‘the divine’ have rarely been mediated by easily ciphered knowledge and practice. While there are certainly influences, patterns and systems that resonate throughout, translation, as always, remains a problem.  This is an attempt to organize the threads that have mattered.

Song Study: Lady Rachel – Kevin Ayers

Lady Rachel by Kevin Ayers

From all music.com

One of the undisputed masterpieces in Kevin Ayers’ catalog, “Lady Rachel (Lullabye For Children)” was first sighted on his solo debut album, 1969’s Joy Of A Toy. A vaguely supernaturally-themed ballad, alive with fantasy elements and whispered dream sequences, “Lady Rachel” was powered by treated guitars, a quavering horn, and a wealth of muted sound effects that certainly bespoke the accompanying Soft Machine’s musical dexterity, but detracted somewhat from the majesty lurking within the song itself. The album itself was recorded in just three days, with the bare minimum of overdubs, and “Lady Rachel” unquestionably suffered from the experience.

That injustice was rectified two years later when Ayers, now accompanied by his Whole Wide World band, returned to “Lady Rachel” for a projected single. The release was eventually cancelled and the session remained unreleased until 1976’s Odd Ditties compilation. However, it was worth waiting for. Considerably slower than the original LP version, the song was built now around boiling horns, while a female backing chorus soared hauntingly behind the chorus to further color the mystic lyric. This same arrangement also fires the punchy 1972 live version found on the BBC collection Too Old To Die Young. Ayers also turned in an effectively skeletal solo acoustic rendition on a BBC studio session in July 1974.